The Long Goodbye
By
Peter Anthony Blush
All through that night Reginald McLeash drifted wearily
in and out of sleep, his eyes occasionally focusing on the progress
of an early September moon arching its trajectory across the windowpane.
He watched it begin at a low twilight point from the left of the
glass where it gradually traveled into the upper reaches of the
frame as the dawning hours began their ultimate conquest of the
sky.
Hearkening to the early cawing of crows flying over
the barn, he turned his head from the window and gazed upon the
sleeping figure of his wife; her white mound of hair highlighted
in a waxing lunar glow, the sheets heaving with her every breath.
More'n likely this is not what she'd a wanted, he
thought. More'n likely I ain't got no earthly choice.
He turned and scanned the darkened bedroom; the dresser,
the night table, the gun rack on the wall.
His hands trembled as he inched away from her. His
stomach felt hollow and hard.
Reaching out for his cane he struggled from the bed, grabbing his
checkered shirt and blue denims from the closet. Stepping naked
into a wedge of moonlight, he took the 32-caliber rifle from the
rack. Cradling it under his free arm he watched his own shadow pass
over his wife and as he opened the door, he hesitated and thought
back long ago when he first saw her.
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His
hands trembled as he inched away from her. His stomach felt
hollow and hard. Reaching out for his cane he struggled from
the bed, grabbing his checkered shirt and blue denims from
the closet.
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"She has a face that shows you something different
each time you look her," he once told a friend. "I would
imagine shadows and highlights during private moments would make
you believe the universe was created only for her."
He shook the memory from his head and slipped out
of the room.
Downstairs he dressed in the stillness of the back
parlor. The rust coloured light of dawn had already begun to permeate
the room, illuminating his wife's figurines positioned inside the
bookcase. It gleamed off the photos on the mantle, as well. Reginald
looked at them hard. There were two boys standing alongside the
house, one dressed in the black robes of a graduate, the other,
younger, his face beaming over his white shirt and red tie.
He saw himself inside one of the frames, surrounded
on the front lawn by people he didn't know and all at once became
irritated and ran his hands through his hair.
"Why in the hell does she keep doing that,"
he wondered out loud. "Hanging pictures of strangers all over
the room, ignoring our own kin. Silly, crazy woman."
He dug his hands into the pockets of his denims and
pulled out the contents: two unfilled prescriptions, a ticket stub
from last Saturday night's bingo, and a pocket watch, its gold cover
long ago lost, its face cracked and frozen in time.
Reginald clutched his leg and remembered the accident.
"She gave me that damn watch thirty years ago," he whispered.
"And me being the darn fool I am, I busted it the next day."
He discarded the prescriptions and the stub into
the trash bin then stuffed the watch back into his pocket. Afterward,
he opened the box of ammunition he had set out the night before.
He took out one round and placed it in the rifle's chamber.
From his vantage he could see the backyard shed through
the screen door. He saw the loose chain running through the hole
in the gate where a bolt used to be and the bundled shape of his
old dog, a black mongrel terrier, lying motionless against the fence.
Reginald tossed his cane to the floor, slung the rifle
over his shoulder and limped outside. The old dog gave a start then
struggled to its feet. Reginald looked away.
In the south he could see the surrounding mountains
standing black against the morning sky. To the west, half a dozen
stars still shimmered inside their own dying light. All around there
was a sweet smell in the air, a blending of fresh cut hay and cow
dung.
When he got to the shed he threaded the chain through
the hole and pulled back the gate. "Come on, Ol' Jack,"
he said, his eyes moistening. "Come on, my smelly ol' guy."
They made a pitiful pair, he reckoned; the dog walking
lamely at his side, its eyes swelling in stress, its tongue hanging
from its mouth like a piece of old leather, while Reginald, hunched
back and hobbling from a trick knee, teetered over the ground.
When they reached the forest line he could hear the
sound of the brook gurgling over the rocks and he remembered years
ago how he'd taken his sons out there in late Spring. He visualized
their bamboo poles whipping the air, their lines streaming and curving
out over the water until they finally hooked their catch.
He continued to lead the dog along the wooded edge
until he spotted the decaying remnants of his '49 Plymouth, the
upholstery long disintegrated, the paint chipped, the body pocketed
with holes. But immediately he realized something was different,
out of place. Then he saw the great oak lying horizontal behind
the car, its mound of roots torn upward from the ground.
Must've fallen in that windstorm a few days back,
he thought. Damned shame.
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The sun had reached the edge of the eastern ridge, its rays firing through the trees like probing fingers of light. One of them caught him on the side of his face. He felt the warmth and began to cry.
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Before stepping into the cover of trees he peered
back over his shoulder one more time. He had a wide acre view of
his house and barn. He could see the panorama of his cornfield swaying
in the mist, a haunting sea of light green on the verge of turning
gold. It was beautiful.
Reginald swallowed hard and led the dog to the Plymouth.
He leaned against the back fender and studied the chamber of the
rifle.
The sun had reached the edge of the eastern ridge,
its rays firing through the trees like probing fingers of light.
One of them caught him on the side of his face. He felt the warmth
and began to cry.
Anchoring himself against the body of the Plymouth
he gripped the rifle firmly in his hands while tears splashed on
his wrists like soft rain. His vision became blurred as he tried
to focus on the ground but in the corner of his eye there came minute
explosions of light, as though someone were taking a photo with
a flash over and over again. Then he realized it was coming from
inside the roots of the old tree. Something shiny was twisting in
the clutter.
I know I'm a confused old goat, he thought, his finger
feeling its way around the trigger. I know my memory's goin' and
it's taking my body along with it. But I've come this far and there
ain't no turning back..
He was awash in sunlight now as the flashing, twisting
explosions from the tree suddenly turned wild and furious in the
wind. But his finger was steady, pressing harder into the cold clammy
steel of the trigger . . . until he heard the voice, a high-pitched
scream set with panic.
"Reginald! God Almighty what are you doing?"
When his vision cleared, he saw his boots straddling
the surface of dead leaves and tinder dry branches. He saw his legs
frozen like wooden stilts. But in the center of everything was the
great black hole of the gun barrel staring back at him like the
Cyclops of death.
He looked into the face of his wife, her eyes wide
in terror, her skin blanched as though devoid of blood. "My
God, Reg," she said, her voice quivering as she gently took
the rifle. "My God."
He stammered trying to rise above his confusion. "I
came out here to do away with my old dog Jack," he said weakly.
His wife sat down on the running board of the Plymouth
cradling her head in her arms. "Reginald," she said. "You
put that dog down three years ago."
Reginald McLeash ran his hands through his thin white
hair, his eyes locking onto the tiny strobes of light still bursting
from the roots of the tree. He stepped past the Plymouth, reached
inside the tangle, and brought out the gold, circular cover of the
pocket watch he had lost all those years ago. Wiping the dirt from
its surface he turned it over and read the simple inscription etched
cleanly into the metal:
It's about time.
Peter
Anthony Blush
Peter Anthony Blush spent his earlier years in
the Washington, D.C. area and now resides north of the Vermont border
outside the rural village of Iron Hill, Quebec, Canada. He lives on
twenty acres of woodlands with his lifelong partner, Sonia Baillairgé,
their Labrador Sasha, and an assortment of cats that continually come
and go.
Peter's writing credits include reporting for Stars
and Stripes and The National Catholic
News Service, as well as assorted poems and short stories
for the literary journal, ABBEY
(Columbia, Maryland). His mystery novel, Boreal
Dreams, was a semi-finalist for the Robertson Davies Prize
and is currently being submitted to publishers by his agent.
Peter can be reached via email at: pblush@sympatico.ca
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