|
GK responds to queries on topics from childbearing to potato salad, with a little bookstore fetish in between.
Here's your chance to ask GK your most pressing questions—about the writing life, the radio life, Lake Wobegon, Guy Noir, whatever you like. Also, feel free to send feedback about the show. Honest comments and criticism are always welcome! Send your own post to the host. |
| |
|
May, 2000
Dear Mr. Keillor:
I hope you can provide me with a little dating advice. I'm a single female
in my early thirties who would like to settle down but most of the guys
I have met are similar to your Norwegian bachelor farmers and seem to
think in grunts. Writers like yourself seem to be more sensitive and observant
than other people. Where do you guys hang out? Where did you hang out
when you were young and single? And did you develop these qualities with
age, or have you always had such consideration and aplomb? Or are all
men like this and just incapable of putting their thoughts in words? Please
advise.
Farran
Cincinnati, Ohio
Dear Farran, Writers appear more sensitive because
sensitivity is our job, but that doesn't make us considerate or
funny or easy to live with. Many writers go for days without saying
much, only responding to direct questions, often with grunts. Where
we hang out depends on who we're with. I hang out with my wife in
quiet restaurants with old waiters whose feet hurt and who don't
introduce themselves by name. We talk and stuff. Most men are capable
of putting their thoughts into words when they choose to, but they
don't like to be forced to testify. Or made to perform. Men are
stubborn. A woman gives me a big hello, and gushes for a minute
or two, and asks me how I am, and smiles, expecting to be regaled
with a long essay, I say, "Not that bad."
Sir:
I am a life long student of American Literature and a huge fan of Mark Twain.
I have some ideas about what you do that resembles Twain, but I'd be very
interested to hear what you see as similarities between yourself and Twain
and what you feel you've learned from Twain.
Missourian
Dear Sir, I share your high opinion of Mr. Twain
and have never thought much about what he and I might have in common.
We both grew up on the Mississippi, were both draft dodgers, and
wrote for money, and beyond that, you tell me. Twain was a born
talent, as evidenced by his letters home when he was a teenager
and travelled to New York to get work as a printer and see the big
city. You read them and you can detect his mature voice already
there. And you see how he thrived on travel and new sights and the
company of adventurers and eccentrics and losers. I'm a diffident
performer and a reluctant traveller compared to him. What I most
admire about Twain, though, is how well his stuff reads a hundred
years later. He's still funny. This is truly extraordinary. Ain't
nobody else from the 19th Century who makes me laugh out loud, I'll
tell you that.
Dear Mr. Keillor:
I listen to the Writers Almanac every morning as I am driving home from
the gym. I enjoy the program very much, but I have a question for you. What
is a poem? As an engineer-type I have never really understood poetry. If
something rhymes and has a certain meter, then I recognize it as a poem.
As I listen to and enjoy the poems you read each morning, I sometimes wonder
why what you are reading is a poem, as opposed to, say, a short-short story,
as they don't apparently have either rhymes or a meter. I would greatly
appreciate your thoughts on this and your helping me to understand. Thank
you.
Ken Goldman
Washington D.C.
Dear Mr. Goldman, Poetry is heightened speech,
whether rhymed or not, and as such I believe it is always metrical,
even if the cadence is irregular. There is usually a certain amount
of mumbling and murmuring in prose, but poetry doesn't mumble. It's
a sort of raising of the voice. A declamation, even if an intimate
one. If you're curious about poetry, start with the Renaissance
poets and Shakespeare and try Emily Dickinson. Mary Oliver is good,
and Sharon Olds, and Robert Bly and Donald Hall and Philip Levine
and on and on and on. Your appreciation would only be sharpened
if you sat down and tried to write some poems in imitation of poems
you admire. A sonnet, for example, is a beautiful piece of engineering,
as is the sestina, villanelle, and even the lowly limerick. A book
on poetic forms might intrigue you.
Dear Mr. Keillor,
I was sharing the audio portion of Lake Wobegon (where you discuss being
athletically challenged) with a black friend of mine, who also claims to
be challenged. We had always joked about ourselves being the last ones "picked".
I couldn't wait to get his reaction when that segment ended. I stopped the
tape, looked his way, and he wryly asked, I wonder how many black people
there are in Lake Wobegon?
PK in Virginia
Dear PK, To my knowledge there aren't
any. I don't know what prompts his question, of course, but I'd
say there is a solid tie between the Christians of Lake Wobegon
and black Christians wherever they may be, and the folks of Lake
Wobegon are pretty clear about this. Religious faith trumps race,
I do believe. When I meet black folk who grew up evangelical and
hearing the Scripture, I have more in common with them than I have
with whites who grew up secular. Even if the whites were athletically
challenged.
Dear Mr. Keillor,
Thank you so much for your humorous stories from Lake Wobegon. I can always
count on a laugh when I listen to Prairie Home Companion on Saturday nights.
At first I wasn't quite interested in your stories because they weren't
backed up by a thumping beat or rhythm guitar. My question is... am I too
young to be listening to your show? I'm only 25 years old. Aren't folks
from my generation supposed to not be able to sit still to listen to a radio
broadcast?
Jesse Brown
Dear Jesse, I don't have any big conclusions about
25-year-olds. I'd hate to think they're marching in formation to
any show. I have a lot of faith in them as independent thinkers
and I expect they'd all be skeptical about me and my show. I'm only
a writer, one guy, and the show is a pretty modest enterprise. I
am lucky to be able to do it and the demographics of the audience
are beyond my ken. But I'm pleased if you should listen and hear
something you like.
Garrison Keillor:
Greetings. My question. I have been worried sick ever since Larry, Kitty
and the babies were evicted. Now, with larrydotcom.com sold what has become
of Larry? And how is Kitty?? Any update on their health and whereabouts
would be appreciated.
Thanks,
Michele Grinberg
Charleston, WV
Dear Michele, Good of you to ask. Larry is okay.
Kitty and her kitties went off to Antiguaand are living in splendor
in a grand beach house with a vast terrace shaded by palms and a
swimming pool, and Larry is still living under the stage of the
Fitzgerald Theater in St. Paul. He couldn't leave it. He's not a
sunshine guy and he felt there were a lot of personal issues left
to resolve.
Dear Garrison,
Some of my all-time favorite Lake Wobegon stories have to do with fishing
("Bruno the Fishing Dog"; "Ronnie and the Winnebago"). I was wondering if
you have ever taken notice of or an interest in the art/sport of fly fishing?
This may seem like an odd question, but because fly fishing is simultaneously
rural and traditional, sentimental, literate, and elegant, it always makes
me think of you and PHC.
Bryon Anderson Holland, MI
Dear Bryon, You're awfully kind to associate
PHC (and me) with literacy and elegance, but I'm not a fisherman
myself, and never did any fly fishing. I've noticed all of the elegant
literary books about fly fishing, and I can see that it would be
an advantageous career move for a guy like myself, but I have no
interest in it whatsoever. My friend Ian Frazier does and I'm happy
for him. However, my friend Ian Frazier has never ever in his life
told me about the glories of fly fishing or tried to get me to come
with him. This is one thing I love about friends. They're able to
compartmentalize.
Dear Garrison,
Can you please explain to me what is so great about Jello molds?
Kirsten from New York
Dear Kirsten, I can't. I never cared
that much for Jell-O. It's a food for small children and when you
get to be 14 or so, you're pretty much over Jell-O. Except of course
when you feel gloomy and full of self-pity, and then a nice orange
Jell-O with sliced bananas can help.
Dear Mr. Keillor,
I'm looking to you as someone who has gotten to and is getting to do a lot
of "cool stuff". How did you get people to let you do it? How do you get
them to pay you for it? Do you ever feel like a lucky bastard because of
what you get to do? If so, how do you deal with the guilt?
--A guy in St. Paul
Dear St. Paul Guy, I should have
more guilt than I do, you're right. I will try harder in the future.
And I am a lucky bastard. It was hard to get them to pay me for
it, partly because of the guilt that kept me from asking for money.
As for your first question, How did I get people to let me do it?
--- it's simple: I offered to work on the weekend, which not many
people in radio cared to do. They preferred to work a normal 9-5
day. I started out in radio working the 6-9 a.m. shift. I wasn't
that slick at what I did, but they didn't fire me, since they didn't
know anyone else who would work those hours for so little money.
Dear Mr. Keillor,
Would you be willing to share your risotto recipe? Not too long ago I read
your essay "The Rice, the Bat, the Baby" and am anxious to know your secret--I
can almost smell the onions and the parmesan!
Thanks,
Susan Carr
Columbus, Ohio
Dear Susan, Don't have a recipe, and that's the
great thing about risotto. It's a process that lends itself to improvisation.
Tonight, for example, I shredded chicken breasts in a food processor
and boiled it in chicken broth to make a sort of super-broth. I
melted a stick of butter in a pot and then sauteed a chopped onion
in it until translucent, and then dumped in a bunch of arborio rice
and smooshed it around. Then I poured in some of the chicken broth
(heated almost to boiling) and stirred it around, and after while
I added a few other ingredients: chopped radicchio, mushrooms, and
frozen bay scallops. The possibilities of ingredients are almost
endless. My wife really likes peas in risotto. Our daughter is fond
of it period, any way. When the rice is cooked (after several doses
of broth and a lot of stirring), you toss in the grated parmesan
(lots) and stir it around and serve it in mounds. You can improvise
so much into risotto. I wouldn't do raw hamburger, or pork, but
almost anything else.
Dear Mr. Keillor:
In your monologues, you seem kindly disposed to clergymen, treating them
quite sympathetically. You make them seem almost human. This I like, being
a member of the clergy myself, but how do you explain this in light of your
Separated Brethren background which, if I understand it, has no place for
clergy?
The Rev. Dr. John Sanders
Dear Rev. Sanders, The Separated (or Sanctified)
Brethren had ministers, called laboring brethren, who were called
by the Spirit in mid-life to travel around to minister to the scattered
flocks. My Uncle Don Campbell had such a calling when he was in
his late forties. We didn't have an ordained clergy, or schools
of theology in which to train them, but we did have ministers. I
can't imagine being disposed any way but favorably toward clergy.
I've met hundreds in my travels, and have found them to be profoundly
kind people and rather heroic in their loneliness. And they uphold
prayer in our secular society, and for this they are to be especially
valued. I am a liberal who is absolutely opposed to official prayers
as being hollow, meaningless, Pharisaic, and sacrilegious, but true
heartfelt prayer accomplishes vast good in the world and clergy
are the champions of prayer.
|
 |
|