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Guy Noir (GUY NOIR THEME) SS: A dark night in a city that knows how to keep its secrets,
but high above the busy streets, on the twelfth floor of the Acme Building,
one man is still trying to find the answers to life's persistent questions
--- Guy Noir, Private Eye --- (MUSIC) GK: It was a cold dark Friday in October and I was in my office
on the 12th floor when I heard the news about the plane crash on the radio
and like a lot of people I sat there in the dark for awhile, stunned,
as the voices went on --- a ceiling of 700 feet, some light snow, the
plane down in a bog near Eveleth which the announcer pronounced "Eave-a-leth"
and then there was this girl who called in on the radio, a Republican,
she'd been out working against him when she heard about it, and she was
crying and saying how terrible she felt, and that did it for me. I sat
there at my desk and quietly went to pieces for a few minutes. The phone
rang (PHONE RINGS) but I didn't try to answer it. I don't mind crying
but I don't care to do it in duet. Women cry together because they're
more musical, but guys don't get the practice so we sound like some old
muskrat caught in a leg trap. I had my Wellstone sign in the window. Twelfth floor. Going for the Canadian
goose vote. I draped a black sweater around it. And I headed over to the
Five Spot. (CITY TRAFFIC AMBIENCE) You could tell by people's faces that
they'd heard about it too. (DOOR OPEN, JINGLE, CLOSE, FOOTSTEPS) GK: Hey Jimmy---- (FOOTSTEPS) TR: Hey Guy. How you doin' there? GK: Terrible. TR: Yeah. Same here. GK: So you heard about it--- TR: Yeah. GK: Well, I'm glad not to be the one to tell you. TR: Yeah. Terrible day. GK: What can you say? TR: It's heart-breaking. Want the TV on? GK: Naw. I don't care for eulogies. Never did. People who didn't
even know the guy talking about the legacy and how great he was. That's
what's wrong with politics in the first place, all the yakking just for
effect. All the slick guys trying to figure out what you want to hear.
He was different. He was the most honest person in American politics.
He won that one going away. Everything he said, from the heart. And then
he goes down in a plane. TR: You care for a beer? GK: Naw. If I had one beer, I'd probably finish up the whole keg
and go blowing out of here like a scrap of waste paper. Gimme a coffee,
Jimmy. GK: What a day. TR: He sure was a hero to a lot of people. GK: Yeah. For good reason. TR: The guy worked his tail off for a lot of people who never
gave him a dime in campaign money. GK: Yeah. Poor people tend not to throw fundraisers. TR: He was a champion of the little guy. GK: He was a little guy himself. You know, they say the taller
candidate almost always wins, it's an incredible percentage, but I guess
Paul made up for it with good eye contact. I ran into him once at the
airport. Couple years ago. Waiting for the plane to go back to Washington.
We got to talking about something, I forget what---- he got excited when
he talked, you remember ---- and he'd start bouncing up and down on the
balls of his feet and then his arms'd get going. TR: Not a candidate made for television. GK: Nope. He was for real, that's for sure. (DOOR OPEN, JINGLE,
DOOR CLOSE. FOOTSTEPS) Hi there. Come in. SS: Hi. Mind if I sit down? GK: Not at all. We're just sitting here---- SS: I just heard it on the radio. GK: Yeah. SS: It's just heart-breaking. TR: It sure is. GK: If you want to turn on the television, go right ahead. We're
just sitting here in the dark cause we don't know any better. SS: I don't know what to say. GK: No need to say anything. TR: If you want a beer, help yourself. On the house. GK: Just don't cry, or you'll get me going----- TR: I remember he said once, "If you're flat broke, nobody
wants to help you, but if you've got everything you could possibly want,
they can't do enough for you." GK: He was sure right about that. SS: It's like that blues song, "Nobody knows you when you're
down and out." GK: "In your pocket, not one penny, and your true friends
you haven't any." SS: "But as soon as you get back on your feet again, everybody
wants to be your long-lost friend." GK: That's American politics in a nutshell. You got that on your
jukebox, Jimmy? "Nobody knows you when you're down and out"?
TR: Nope. All we got are songs people want to hear when they're
drunk. SS: How about Bob Dylan? TR: Naw. All your Dylan fans are getting too old to stay out late.
GK: (OFF) You got "Helsa dem Der Hjemme" here. SS: I don't think Wellstone was Swedish. GK: No. He liked to talk. That's how you can tell. TR: I tell you, it sure is a great country when a guy like Wellstone
---- Jewish, college professor, liberal ---- can be elected from a state
full of Swedes and Germans. SS: People voted for him who didn't agree with him at all. They
just liked him. GK: Norwegians voted for him because he wasn't Swedish. TR: Did you see, the King and Queen of Sweden were in Minneapolis
on Thursday? GK: Yeah, I heard about that. TR: They had a ceremony where the state issued a formal apology
for the lousy performance of the Vikings. GK: Is that right? TR: I don't know if it's right, but they did it anyway. GK: The King and Queen come over here, you know, because they're
curious about the Swedish dance tunes and the Swedish dishes like rommegrot
and lutefisk. In Sweden they don't dance the polka, they all dance to
Bruce Springsteen, or they do the tango, and they eat poached salmon on
a bed of basmati rice drizzled with a balsamic coriander reduction. Lutefisk
is a complete mystery to them. They don't know what lefse is. Potato pancakes?
They'd rather have crème brulee. SS: Hey, wait---- there is a Bob Dylan song on the jukebox. B-18.
"Forever Young". GK: Izzat right? TR: Play it, Guy. GK: But it's not a recording by Dylan. It says--- "Ron and
Luanne Swanson and the Eveleth Lutheran Youth Choir" ---- who's that? TR: A cousin of mine. GK: You want to hear a Lutheran youth choir sing Bob Dylan? SS: Go ahead. Play it. GK: I don't have any quarters. TR: Don't need any, just press the button as you hit the front
of it with the heel of your hand, right under the Wurlitzer. Not too hard.
GK: Okay. (BUTTONS. HIT PLEXI TOP.) (NEEDLE ON RECORD, FOR A FEW
MOMENTS, THEN PIANO¼¼) FOREVER YOUNG (SONG FADES) TR: A dark night in a city that knows how to keep its secrets,
and there on the twelfth floor of the Acme Building one man is still trying
to find the answers to life's questions.....Guy Noir, private eye. © Garrison Keillor 2002 |
Singer and songwriter Andra Suchy talks about singing duets with Garrison, and her latest album, Little Heart.
Old Sweet Songs: A Prairie Home Companion 1974-1976
Lovingly selected from the earliest archives of A Prairie Home Companion, this heirloom collection represents the music from earliest years of the now legendary show: 1974–1976. With songs and tunes from jazz pianist Butch Thompson, mandolin maestro Peter Ostroushko, Dakota Dave Hull and the first house band, The Powdermilk Biscuit Band (Adam Granger, Bob Douglas and Mary DuShane).



