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A Prairie Home Companion with Garrison Keillor

December 28, 2002
Live from the Town Hall on West 43rd Street in New York City, with soprano Renée Fleming, comedian Maria Bamford, and bluesman Paul Geremia.

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In its entirety
Listen to the whole show, recorded on December 28, 2002, from New York, New York.

In segments
Play individual show segments as listed below.

00:00Logo
00:13Tishomingo Blues
02:13GK talks about tonight's guests
05:06Johnny Johnson - GK and band
09:14Santa script into Dr. Wang - Rich Dworsky and Lee Musiker
15:28Guy Noir script
24:54Where Did I Lose Your Love? - Paul Geremia and Shoe band
29:40Powdermilk Biscuit Break
31:25GK intros Renée Fleming
32:00Vilia from The Merry Widow- Renée Fleming
38:02O Mio Babbino Caro from Gianni Schicchi - Renée Fleming
42:18GK intros Maria Bamford
43:37Maria Bamford
49:35Opera script
59:47Intermission - Hootie Blues
1:04:08Greetings
1:07:26Hello Young Lovers from The King and I - Renée Fleming
1:13:15GK talks about being a liberal in New York
1:15:40New York Blues (San Francisco Bay Blues) into SFX script
1:27:26GK talks to Paul Geremia
1:28:34Rising River Blues - Paul Geremia
1:32:35Wonderful Affliction - Paul Geremia
1:35:23Monologue, into Danny Boy- Renée Fleming
1:54:17Credits, The Old Year Away Has Fled - GK and Renée Fleming
1:57:0043rd Street - Shoe Band


Photos from the show
Click images to view slideshow. (Photos taken by Alan Frechtman)

Renée Fleming Paul Geremia
Maria Bamford Opera script
Maria Bamford and GK Fred Newman, Tim Russell and Sue Scott


Guest Recordings
  • Renée Fleming
  • Paul Geremia
  • Music Information
    Performers, music sources and credits
    Guest Information
  • Renée Fleming
  • Paul Geremia
  • Maria Bamford
  • Scripts
  • Santa
  • Guy Noir
  • Opera
  • NYC: SFX
  • Johnny Johnson [lyrics]


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    77 Love Sonnets by Garrison Keillor

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    “When I was 16, Helen Fleischman assigned me to memorize Shakespeare’s Sonnet No. 29, ‘When in disgrace with fortune and men’s eyes, I all alone beweep my outcast state’ for English class, and fifty years later, that poem is still in my head. Algebra got washed away, and geometry and most of biology, but those lines about the redemptive power of love in the face of shame are still here behind my eyeballs, more permanent than my own teeth. The sonnet is a durable good. These 77 of mine include sonnets of praise, some erotic, some lamentations, some street sonnets and a 12-sonnet cycle of months. If anything here offends, I beg your pardon, I come in peace, I depart in gratitude.”


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